A duo of flugelhorn and piano, featuring pianist Bill Anschell
This season we honor Henry Mancini’s 100th birthday with new arrangements of his classic hits: Moon River, Charade, Dreamsville, Slow Hot Wind (Lujon), Pink Panther, Days of Wine and Roses, Touch of Evil, Two For The Road, Romeo & Juliet (A Time For Us), Mr. Lucky, and Peter Gunn.
ABOUT BILL ANSCHELL
Bill Anschell is a jazz pianist and composer. He has recorded seven CDs as a leader, and performed or recorded with many jazz greats. His original compositions and piano work are prominently featured on Freelon's Grammy Award-nominated recording Shaking Free (Concord Records) and her CBS recordings Heritage and Listen. His own CDs have received extensive national airplay and critical acclaim. His compositions have appeared in many films and television series, including "The West Wing," "The Wire," "Bloodline," and "NCIS: LA."
ABOUT DMITRI MATHENY
Celebrated for his warm tone, soaring lyricism and masterful technique, American musician Dmitri Matheny has been lauded as “one of the most emotionally expressive improvisers of his generation” (International Review of Music).
First introduced to jazz audiences in the 1990s as the protégé of Art Farmer, Matheny has matured into “one of the jazz world's most talented horn players” (San Francisco Chronicle).
Born on Christmas Day, 1965 in in Nashville,Tennessee, Dmitri was raised in Georgia and Arizona. Attracted to his father’s collection of jazz and classical LP records, Dmitri began piano lessons at age 5, switched to the trumpet at age 9, and took up the flugelhorn at 18.
Matheny attended the prestigious Interlochen Arts Academy in Michigan, then the Berklee College of Music, Boston, graduating magna cum laude in 1989.
After private studies with Carmine Caruso in New York City, Matheny became the protégé of the legendary Art Farmer, a formative relationship that lasted over a decade.
Farmer, “the bebop master who defined the sound of the flugelhorn in modern jazz” (All Music Guide), was Matheny’s public champion and private mentor. Generously sharing his wisdom, experience and influence, it was Farmer who encouraged Dmitri to devote himself exclusively to the “Big Horn.”
Under Farmer’s tutelage Matheny emerged as a promising new voice in jazz.“Art Farmer’s role in the early success of Dmitri Matheny cannot be overstated,” observed writer and historian Phil Elwood. “Without Art, there could be no Dmitri.”
At 29, after launching a busy recording career on the West Coast, Matheny made his New York debut at the Weill Recital Hall at Carnegie Hall, then began touring internationally.
